{"id":872,"date":"2016-02-18T13:32:44","date_gmt":"2016-02-18T13:32:44","guid":{"rendered":"http:\/\/tommibrem.de\/?p=872"},"modified":"2021-09-06T14:28:56","modified_gmt":"2021-09-06T14:28:56","slug":"maria-stuart","status":"publish","type":"post","link":"https:\/\/tommibrem.de\/de\/maria-stuart\/","title":{"rendered":"MARIA STUART"},"content":{"rendered":"<p>Stage design for a play by Bernard-Marie Kolt\u00e8s<\/p>\n<p>Director: Wolf E. Rahlfs<br \/>\nStage design: Tommi Brem<br \/>\nMusic: Paolo Greco<\/p>\n<p><img src=\"http:\/\/tommibrem.de\/wordpress\/wp-content\/uploads\/2016\/12\/maria-stuart_02-580x386.jpg\" \/><\/p>\n<p>Badische Landesb\u00fchne<br \/>\n<strong>Premiere:<\/strong> February 18, 2016<\/p>\n<p><i>&#8222;Where other directors shipwrecked with modern productions of classical plays, Rahlfs demonstrates how tension packed and intense the power struggle between the two Queens Elisabeth and Maria can be in a modern setting.&#8220;<\/i><br \/>\nBurghauser Anzeiger<\/p>\n<p><img src=\"http:\/\/tommibrem.de\/wordpress\/wp-content\/uploads\/2016\/12\/maria-stuart_03-580x386.jpg\" \/><\/p>\n<p><i>&#8222;Thrilling political thriller (&#8230;) The arrestingly effective stage design by Tommi Brem shows a center of power \u2013 quite literally a &#8222;House of Cards&#8220;, because the doors can only be opened with the busy officials\u2019 identity cards.&#8220;<\/i><br \/>\nBadische Neueste Nachrichten<\/p>\n<p><img src=\"http:\/\/tommibrem.de\/wordpress\/wp-content\/uploads\/2016\/12\/maria-stuart_04-580x386.jpg\" \/><\/p>\n<p><i>&#8222;The production impresses with the stunningly precise direction of the ensemble of actors.&#8220;<\/i><br \/>\nMainpost<\/p>\n<p><img src=\"http:\/\/tommibrem.de\/wordpress\/wp-content\/uploads\/2016\/12\/maria-stuart_05-580x290.jpg\" \/><\/p>\n<p><i>&#8222;Ingenious mise-en-sc\u00e8ne.&#8220;<\/i><br \/>\nRhein-Neckar-Zeitung<\/p>\n<p><i>&#8222;Sublimely acted, compellingly staged.&#8220;<\/i><br \/>\nDonaukurier<\/p>\n<p><i>&#8222;Paolo Greco&#8217;s sacro-rennaisance sounds manage to build a bridge to the historical source.&#8220;<\/i><br \/>\nMainpost<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stage design for &#8222;Maria Stuart&#8220; (F. Schiller); directed by W.E. Rahlfs; Music by P. Greco; Bruchsal 2016.<\/p>\n","protected":false},"author":1,"featured_media":873,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[40],"tags":[14,15,16],"jetpack_featured_media_url":"https:\/\/tommibrem.de\/wordpress\/wp-content\/uploads\/2016\/12\/maria-stuart_01.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7PCH0-e4","_links":{"self":[{"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/posts\/872"}],"collection":[{"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":0,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/media\/873"}],"wp:attachment":[{"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tommibrem.de\/de\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}